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Guest Lecturers

Clark Hulse is Professor Emeritus of English and Art History and Dean Emeritus of the Graduate College at the University of Illinois at Chicago.  His books on Renaissance literature and visual arts include Elizabeth I: Ruler and Legend (2003), The Rule of Art: Literature and Painting in the Renaissance (1993), Metamorphic Verse (1983), and, with Peter Erickson, Early Modern Visual Culture: Representation, Race, Empire (2000).  His articles on subjects ranging from Spenser and Shakespeare to Titian have appeared in journals in Britain, Germany, and the United States. 

 

His research has been supported by fellowships from the Guggenheim Foundation and National Endowment for the Humanities, and grants from the College Art Association and the British Academy. His prize-winning 2003 exhibition "Elizabeth I: Ruler and Legend" debuted at the Newberry Library, Chicago, and toured 40 cities. The project was named a "Milestone" by the National Endowment for the Humanities. In the realm of the public humanities, he has been a member of the Illinois Humanities Council, Executive Director of Creative Santa Fe, and currently is Chair of the Board of Directors of the Chicago Humanities Festival.

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He is currently working on three projects: Counterfeiting Men, a book about verbal and visual portraiture in the age of Henry VIII, with a focus on Hans Holbein, Thomas More, Thomas Wyatt, and Henry Howard, Earl of Surrey; Reading Cities, a book about the cultural experience of modern urban life; and studies in the Ovidian tradition.

Lynn Enterline is Nancy Perot Mulford Professor of English at Vanderbilt University. A life-long student of comparative literature, she researches and interprets the connections among the histories of rhetoric, sexuality, and emotion in the English, Italian, Latin, and Greek literary traditions. Her publications and courses  work through problems in 16th and 17th century British literature as understood in light of classical and continental antecedents as well as contemporary theory – in which case her most significant intellectual touchstones are psychoanalytic, feminist, queer, Marxist, and materialist speculation as well as recent work in affect theory. 

 

She has written three books: Shakespeare's Schoolroom: Rhetoric, Discipline, Emotion (2012); The Rhetoric of the Body from Ovid to Shakespeare (2000); and The Tears of Narcissus: Melancholia and Masculinity in Early Modern Writing (1995).  These focus, respectively, on melancholia, masculinity, and the challenges of poetic language from Tasso to Webster and Marvell; Ovid, the Ovidian tradition in Italy and England, and transgendered ventriloquism; Elizabethan grammar school practices, the movement from Latin rhetorical training to vernacular literary production, and cultural critique. 

 

She is currently working on Epic Discontent: on the Critical Potential of Passionate Character, a book about Elizabethan minor epics, masculinity, and specific rhetorical practices (like prosopopoeia or “impersonation”) that traversed all three of early modern England’s educational institutions: grammar school, university, and Inns of Court. Epic Discontent will explore two problems: what disrupted epic teleology and female “complaints” reveal about male forensic habits of mind; and why, in the 1590s, the figure of an eloquent “barbarian” became such a compelling site for cultural critique.

Russell Jackson is Emeritus Professor of Drama and Theatre Arts in the University of Birmingham. His publications include Theatres on film: how the Cinema imagines the Stage (Manchester University Press, 2013) and Shakespeare and the English-speaking Cinema (Oxford University Press, 2014). He has recently completed a study of Trevor Nunn as a director of Shakespeare, which will appear this autumn.  He has worked closely in rehearsal with actors and directors as text consultant on many theatre and film productions. These have included four productions of Hamlet directed by Kenneth Branagh (among them the 1996 film using the ‘full’ text of the play) and Michael Grandage’s 2009 production in London and New York with Jude Law. Most recently he was text consultant for the productions of The Winter’s Tale and Romeo and Juliet in the 2015-16 season of the Kenneth Branagh Theatre Company) at the Garrick Theatre, London, and Hamlet with Tom Hiddleston directed by Kenneth Branagh for the Royal Academy of Dramatic Art in September 2017.

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